Spanish language
Published Dec. 16, 2000 by Ediciones Minotauro.
A Wizard of Earthsea is a fantasy novel written by American author Ursula K. Le Guin and first published by the small press Parnassus in 1968. It is regarded as a classic of children's literature and of fantasy, within which it is widely influential. The story is set in the fictional archipelago of Earthsea and centers on a young mage named Ged, born in a village on the island of Gont. He displays great power while still a boy and joins a school of wizardry, where his prickly nature drives him into conflict with a fellow student. During a magical duel, Ged's spell goes awry and releases a shadow creature that attacks him. The novel follows Ged's journey as he seeks to be free of the creature. The book has often been described as a Bildungsroman, or coming-of-age story, as it explores Ged's process of learning to cope with power …
A Wizard of Earthsea is a fantasy novel written by American author Ursula K. Le Guin and first published by the small press Parnassus in 1968. It is regarded as a classic of children's literature and of fantasy, within which it is widely influential. The story is set in the fictional archipelago of Earthsea and centers on a young mage named Ged, born in a village on the island of Gont. He displays great power while still a boy and joins a school of wizardry, where his prickly nature drives him into conflict with a fellow student. During a magical duel, Ged's spell goes awry and releases a shadow creature that attacks him. The novel follows Ged's journey as he seeks to be free of the creature. The book has often been described as a Bildungsroman, or coming-of-age story, as it explores Ged's process of learning to cope with power and come to terms with death. The novel also carries Taoist themes about a fundamental balance in the universe of Earthsea, which wizards are supposed to maintain, closely tied to the idea that language and names have power to affect the material world and alter this balance. The structure of the story is similar to that of a traditional epic, although critics have also described it as subverting this genre in many ways, such as by making the protagonist dark-skinned in contrast to more typical white-skinned heroes. A Wizard of Earthsea received highly positive reviews, initially as a work for children and later among a general audience. It won the Boston Globe–Horn Book Award in 1969 and was one of the final recipients of the Lewis Carroll Shelf Award in 1979. Margaret Atwood called it one of the "wellsprings" of fantasy literature. Le Guin wrote five subsequent books that are collectively referred to as the Earthsea Cycle, together with A Wizard of Earthsea: The Tombs of Atuan (1971), The Farthest Shore (1972), Tehanu (1990), The Other Wind (2001), and Tales from Earthsea (2001). George Slusser described the series as a "work of high style and imagination", while Amanda Craig said that A Wizard of Earthsea was "the most thrilling, wise, and beautiful children's novel ever".
I really liked the book. There are a lot of cool ideas about how the magic works in this universe, and a ton of amazing world building. Earthsea feels like a real place, with its own rules, customs, and quirks.
There is something about the writing style that felt a bit off to me though. I honestly don't know how to explain it.
I first read these books when I was actually in the target age group, but I have re-read them countless times since then, they are timeless and ageless. "A Wizard of Earthsea", with its superb world-building and archetypal story of shadow and light. "The Tombs of Atuan", with its marvelous sexual imagery and tentative exploration of female themes. And "The Farthest Shore", where Ged takes on life and the afterlife.
Ursula le Guin was like the leader of my tribe. I regret not seeing her in person, she was a regular a SF conventions, but she left behind a superb body of work which I am still discovering.
Lo he disfrutado muchísimo! Sobretodo a partir de la mitad. Creo que ahí es donde coge fuelle el conflicto principal y empieza a entenderse por dónde nos quiere llevar. No suelo leer fantasía, de entrada no me llama nada. Este libro fue un regalo y además había leído cosas muy buenas acerca de Ursula K. Le Guin, así que le di una oportunidad y fue una buena decisión. Bajo el marco de la fantasía, este libro es un coming of age (de mis cosas favoritas en literatura) y también, un poco, libro de viajes. Me ha alucinado la geografía de Terramar, su originalidad, el dibujo del mapa, las descripciones de los territorios y sus gentes. Los conceptos alrededor del conflicto principal del personaje, de la magia y los nombres, son muy buenas.
Por último, en esta edición hay un epílogo en el que la autora reflexiona sobre la escritura del …
Lo he disfrutado muchísimo! Sobretodo a partir de la mitad. Creo que ahí es donde coge fuelle el conflicto principal y empieza a entenderse por dónde nos quiere llevar. No suelo leer fantasía, de entrada no me llama nada. Este libro fue un regalo y además había leído cosas muy buenas acerca de Ursula K. Le Guin, así que le di una oportunidad y fue una buena decisión. Bajo el marco de la fantasía, este libro es un coming of age (de mis cosas favoritas en literatura) y también, un poco, libro de viajes. Me ha alucinado la geografía de Terramar, su originalidad, el dibujo del mapa, las descripciones de los territorios y sus gentes. Los conceptos alrededor del conflicto principal del personaje, de la magia y los nombres, son muy buenas.
Por último, en esta edición hay un epílogo en el que la autora reflexiona sobre la escritura del libro y me parece, sinceramente, una tía de puta madre.
A must-read in the collection of fantasy classics
